A portfolio can show breadth while still holding together. Compare the photographer’s use of light, timing and composition across different subjects. The connection may be a way of seeing rather than one subject repeated throughout.
Read a portfolio as an edit
Notice the opening image, the changes in scale and the final photograph. Ask what each frame contributes that the previous one does not. A smaller selection with a clear rhythm can communicate more than a large set with several near-duplicates.
Use the individual directory entries as starting points for close looking. Keep your notes about visible choices separate from assumptions about a photographer’s biography, location or professional availability.
Photographer entries
- Angela Clifton
- Bruno Noventa
- Steve Hall
- Ryan Notch
- Michael Easton
- Michael Easton
- Maurice Taylor
- Maurice Taylor
- Michael Ventura
- Ivan Bajic
- Joerg Dauerer
- Michael Moore
- Magdalene Kourti
- Ken Hornbrook
- Xu Fai
- Xu Fai
- Abelli
- Bob Kolb
- Ann Martin
- Ann Martin
- Ron Gershman
- Angel Conde
- John Running
- Alex Tehrani
- Stefan Tarzan
- Stefan Tarzan
- John Burwell
- Jessica Verma
- Jessica Verma
- Cory Christensen
- Rhea Malinofsky
- Rhea Malinofsky
- Ludmila Foblova
- Martin Pustelnik
- Ian Buswell
- Ricardo La Piettra
- Ricardo La Piettra
- Larry Billinger
- Paul S. Bartholomew
- Paul S. Bartholomew
- Stalin Ramesh
- Michel Enfroy
- Roberts Voskans
- Eduard Stranadko
- Ellen's Photo Gallery
- Procter and Staas